About the Authors

Jay’s primary strength is 14+ years managing the full audio production pipeline, with deep specialization in sound effects (FX) design, sonic branding, and post-production. He has extensive experience producing broadcast-ready audio for trailers and short ads—from bespoke sound design and music curation through mixing and final delivery.

Since 2017 he has worked as an audio specialist at a leading game studio, delivering sound design and audio production across more than 47 titles including the MapleStory series, KartRider, and Dungeon & Fighter. He has directed large-scale orchestral recording sessions and partnered with international studios such as Bang Zoom! Entertainment in Los Angeles and SIDE Studios in London on voice recording workflows.

Tim produced music for a variety of independent film & media projects across New England, including “Searchdog,” a feature-length documentary about shelter dogs that are rehabilitated into certified search & rescue dogs. (Audience-voted “Best of Fest Selection” in the 2016 Palm Springs International Film Festival).

In addition to composing, Tim also served as music director, arranger, and pianist for the cabaret show “Never Far From Home” at Central Square Theater, which earned critical acclaim from The Boston Globe. He has worked with the North Cambridge Family Opera for the past several years, as an arranger and midi mockup artist.

Robin Hall is a composer who specializes in music for film advertising and television. He holds a double degree in Film Scoring and Jazz Composition from Boston's Berklee College of Music.

Along with clients such as Amazon, Netflix and Disney, Robin has had music featured in the advertising campaigns for countless blockbuster films, TV shows and video games such as: Wonder Man (Marvel Studios / Disney+ / 2025), Is This Thing On? (2024), Eddington (A24 / 2024), Dying for Sex (FX / Hulu / 2024), Jurassic World: Rebirth (Universal Pictures / 2025), The Front Room (A24 / 2024), Sonic the Hedgehog 3 (Paramount Pictures / 2024), Star Wars: Skeleton Crew (Disney+ / 2024), Monkey Man (Universal Pictures / 2024), Ghostbusters: Frozen Empire (Columbia Pictures / 2024), Franklin (Apple TV+ / 2024), and Abigail (Universal Pictures / 2024).

JaeCheol is a composer, trumpet master and Marvel world aficionado. He holds a Bachelor of Jazz Composition and a Master of Performance & NuMusic and is currently employed as a full-time faculty member in the Division of Applied Music at the Dong-ah Institute of Media and Arts.

His prolific writing includes an orchestral arrangement for the TV soundtrack to Angry Mom (2015, MBC) and producing multiple albums as a leader of his own large-ensemble bands. Further, he has performed in jazz concerts and festivals including Jarasum International Jazz Festival and nation-wide musical TV broadcasts including EBS Space Live.

Robert Davis is a composer who specializes in diversity. He has no particular style that he sticks to. Having spent most of his study in his early years trying to understand the complex chromatic harmony of Wagner and Mahler, he wrote his first symphonic poem at age 19 in a harmonic style similar to Wagner's Tristan und Isolde.

This landed him a big job in the sample library industry when very few "big" computer libraries existed. Here he was a consultant as well as a Demo creator for Garritan Orchestral Libraries. Eventually, he worked for MakeMusic (the creators of Finale notation software) creating demos and consulting, before branching out on his own.